A small Louisiana community, home to the descendants of formerly enslaved Black people, continues to fight for its freedom many decades later, this time from a potentially polluting technology. FEJ StoryLog contributor Yessenia Funes recounts her journey to this Cancer Alley community, where a grant from the Fund for Environmental Journalism helped her tell the story of residents challenging a multibillion-dollar carbon capture plant.

A private social media message piqued Arizona Republic reporter Joan Meiners’ interest in rural retirees’ efforts to block construction of a gas-fired peaker plant next to their homes. Her year-long, grant-funded investigation in 2024 uncovered questionable local government actions and utility executive motives, and concluded with action against the facility. Read Meiners’ account of how rural Arizonans became unlikely climate activists, in the latest FEJ Storylog.

A coming lithium rush in Arkansas drew the notice of journalist Katie Myers, who used a grant from the Fund for Environmental Journalism to explore whether extraction activities near once-booming energy communities could avoid the economic and environmental impacts of another boom-and-bust cycle for a largely Black region with histories of land dispossession, plantation slavery and Jim Crow segregation. Lessons learned in the latest FEJ StoryLog.

New York-based documentarians Sebastian Tuinder and Duy Linh Tu took their multimedia skills on the road to explore the environmental problems plaguing the Chesapeake Bay. The resulting project, “Trouble in the Chesapeake,” was nominated for a local Emmy award and was credited with helping efforts to curb over-the-limit discharges from Maryland’s wastewater plants. Lessons learned from the grant-funded effort, in the latest FEJ StoryLog.

Mid-pandemic, freelancer Erika Bolstad struck out from Oregon for the boom-bust Bakken oil fields of North Dakota, with cash from a grant, two story assignments and years of book research. She shares her experience on the road, dealing with COVID risks, tricky timing and a stubborn bureaucracy, as well as a generous well-plugger and supportive editors. Read the new FEJ StoryLog.

When freelancer Rachel Nuwer decided to tackle a controversial story about trophy hunting and wildlife conservation she confronted not only tricky logistics and demanding field work, but last-minute publication conflicts and the COVID-19 pandemic. But with a grant and an understanding editor, she got her clip and a new commitment to continue covering similarly challenging topics. Nuwer shares her experience in the new FEJ StoryLog.

Seattle-based correspondent Brett Walton has a habit of adding extra days to his reporting schedules. In this FEJ StoryLog, Walton shares how he used one such buffer to stretch a grant and produce not just one story on California’s small drinking water systems, but a second on the aftermath of wildfire on another town’s water system, plus finish a third pending project on household water debt.

Inspired by a discussion at a Society of Environmental Journalists conference, freelancer Rico Moore (pictured, left) applied for a Fund for Environmental Journalism grant to report on Bears Ears National Monument. Then, armed with advice for better covering Indigenous communities and Native American tribes, Moore found a new way to write about the cultural and environmental richness of those lands. His experience, in the new FEJ StoryLog.

When the global pandemic interfered with independent journalist Gabriel Popkin’s plans for a grant-funded biodiversity reporting project on the emerald ash borer, an invasive pest threatening ash forests, he came up with a surprising solution. In this FEJ StoryLog, Popkin shares how he worked around travel shutdowns and subsequent story pitch rejections to ultimately discover an alternative storytelling option to keep his project alive.

A film by reporting duo Jerry Redfern and Karen Coates — supported by a grant from the Society of Environmental Journalists — shows the ongoing human and environmental harm of the unexploded U.S. bombs and other ordnance dropped on Southeast Asian villages during the Vietnam War. “Eternal Harvest,” which builds on their earlier book on the topic, was made painstakingly over years, and in the latest FEJ StoryLog, the couple explains their process and storytelling approach.