View our shortlist of outstanding interactive environmental journalism projects, in this three-part EJ Insight. Plus, in Part I, a walking tour of the world of interactive storytelling, and Part II, a Q&A with Hannah Fairfield, climate editor for The New York Times, and one of the leading practitioners of new interactive storytelling techniques.
Hannah Fairfield, climate editor for The New York Times, is one of the leading practitioners of new techniques of interactive storytelling on the environment. SEJournal interviews her for a three-part EJ Insight. Also see Part I, a walking tour of the world of interactive storytelling and Part III, a shortlist of outstanding projects.
Decades worth of technical advances, used creatively by journalists, have led to a world of “wow” storytelling, including on the environmental news front. In the new EJ Insight column, SEJournal’s own Joe Davis takes you on a walking tour of the world of interactive storytelling. Plus, an interview with Hannah Fairfield of The New York Times, a leader in the burgeoning field, and our own shortlist of outstanding projects to view.
For Boston Globe environment reporter David Abel, a side project shooting video of the 2013 Boston Marathon sealed his passion for nonfiction filmmaking, one that has since yielded four high-profile nature documentaries. In EJ InSight, Abel traces that path and details how he balances his environment reporting and filmmaking. Plus, view images from Abel’s documentary work.
Wildfire photographer Helen Richardson, in a companion EJ InSight case study, shares a personal account of her efforts to capture compelling images from Colorado’s deadly Waldo Canyon Fire. Plus, more of her photos and a report on how to prepare properly to shoot disasters while protecting yourself, including from COVID-19.
Safety has long been an element of smart disaster photojournalism. But there’s a new dimension to the risk now — coronavirus. Wildfire photographer Helen Richardson writes in the latest EJ InSight column about how to protect yourself, how to be prepared and how to get the story. Plus, a photo slidehow and a case study on confronting the journalistic challenges in one major fire.
Freelance photographer Morgan Heim explores the ethical and creative considerations of non-traditional photography when reporting on wildlife issues, in a sidebar to the latest EJ InSight. See a slideshow of images with her unique approach. Plus, Heim on surviving in today’s constrained news media economy and the implications for storytelling, independence and integrity.
How do you survive as a freelance wildlife photojournalist in today’s constrained news media economy? In the latest EJ InSight, photographer Morgan Heim shares the approach she has successfully pursued, and shares its implications for storytelling, independence and integrity. See a slideshow of her images. Plus, Heim explores the ethics of non-traditional photography.
Veteran National Geographic photojournalist Peter Essick offers practical advice on learning to fly your own drone. Plus, he shares insights and photos from his most recent drone project, capturing the restoration of the Great Lakes, and explains why he sees the combination of drone photography and environmental journalism as a match made in heaven.
A match made in heaven — that’s how veteran National Geographic photojournalist Peter Essick sees the combination of drone photography and environmental journalism. In the latest EJ InSight, Essick shares insights and photos from his most recent drone project, capturing the restoration of the Great Lakes. Plus, in a sidebar, Essick gives practical advice on learning to fly your own drone.