An environmental documentary that follows a risk-laden effort to save a rare and elusive porpoise won over audiences at the recent Sundance Film Festival. Correspondent JoAnn Valenti takes a look at the film, along with other documentaries that explore the role of journalists and journalism.
With 2019 in full swing, the SEJournal offers an analysis of the year ahead in environment and energy news, with an overview of our full special report, the “2019 Journalists’ Guide to Energy & Environment.” Plus, don’t miss SEJ’s Jan. 25 event with top reporters to help you keep track of the big stories on the beat. RSVP here to attend in-person or online.
Get a behind-the-scenes look at the most surprising findings from a new survey of environmental journalists. It showed a range of challenges in covering local climate change stories. And see what the group behind the survey hopes to do to help reporters and editors address these obstacles.
While environmental themes were less prominent at the Sundance Film Festival this year, our correspondent JoAnn Valenti unearthed ecological messages from documentaries that explore the emergence of climate change refugees in the face of sea level rise, the escape from modernity into wilderness and the confrontation of environmental threats by young innovators.
For the first time, Sundance Film Festival spotlighted a single theme, and it was climate change. Documentaries highlighting the issue including a sequel to Al Gore's blockbuster, as well as more than a dozen other films dealing with issues like coral reefs, recyling, changing landscapes and rainforest destruction.
Chance research on the concept of green burials leads one freelancer not just to a years-long writing project, but to a more intimate encounter with the growing practice. In this essay, Ann Hoffner shares her first-hand experience with green burials and the deeper meaning she discovers in them, as well as one tender goodbye in a quiet wood.
Yale Climate Connections' Bud Ward reports on the Climate Feedback project, which scores articles and columns for accuracy, logic and reasoning, fairness, objectivity and precision.
“Gasland” filmmaker Josh Fox is back with what may be the longest film title in recent documentary history — “How to Let Go of the World (and Love All the Things Climate Can’t Change).” And it looks like another game-changer. JoAnn Valenti reviews the film